We then also looked into more music videos which focus on the journey, particularly with multiple walking shots. The Verve- Bitter Sweet Symphony, showcases exactly this, with the lead singer miming to the song whilst walking down a busy street. The music video location is particularly urban, shown by the shutters of the shops, the road sign and multiple people walking. We will use this urban mis en scene in our music video, as both the Birdy video and the verve video incorporate this. We will use the high street as our 'urban setting'.
The location shots in Sinead O'Connor- Nothing Compares 2 U are also something we would like to use as inspiration, particularly the use of the water which is reflective and matches the theme of our song. The video also shows images of the lead walking through the park which we will try to recreate.
As we plan to change our video from black and white to colour, we researched into music videos which were mainly in black and white. There were many videos which used this feature yet limited ones which changed to colour. We found the scripts- If you could see me now as this used both colour and black and white in the final cut. The black and white is inter-changed throughout the video, rather than the black and white changing to colour as we are interested in trying to achieve. We do, however, we do like the fact that the colour is used symbolically, during times of happiness which we also want to use.
As we were interested in initially incorporating dance into our music video. We struggled to find a dance video which used a soft ballad rather than a full dance to a club song. We settled for Pink- Try as this used the contemporary dance which we liked. The music video uses a vary of angles when shooting, which makes the overal look dynamic. The music video also has other features other than dancing, meaning we can also add a narrative which seems to be a usual choice for most music videos. We will have to look further into the dance filming as the sequence will have to be choreographed around the camera to ensure fluidity.
Research: Hannah
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